Sunday 20 November 2016

Sigh, Sam Taylor Wood at Museo Guggenheim, Bilbao

Watching Sigh feels absurd, mesmerising. It was the stand-out work for me at the Guggenheim this weekend.

The film is shown on a number of screens arranged in a circle, so the viewer stands surrounded by the different sections of the BBC Concert Orchestra. We can hear a piece of music, specially written for this work and inspired by one of Taylor-Wood's earlier pieces. The BBC Concert Orchestra are playing, without their instruments. The members of the orchestra are dressed in ordinary clothes (no concert-black) in what looks like a warehouse space. They are stern, absorbed in their playing. They mime the in-between gestures, the taking on and off of parts, the relaxing/limbering up of the mouth. Some forget to hold their instruments when they're not playing, their hands resting open on their knees. It's a beautiful collusion between 'serious professionals' and seems like magic at times, the drummer mimes a sound and it appears.

Here is a short video of San Taylor-Wood talking about the work, with some clips of the work itself. Here is a link to the write-up on the Guggenheim's site.

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